![]() ![]() She has been best friends with Alia Rose for many years and Teena Marie even took her in during her high school years, but Phlo is desperate for fame and uses people to get attention for herself without the consideration of others. In 2012, there was a rumor circulating the internet that the late singer Teena Marie’s daughter, Alia Rose, had overdosed on Mother’s day in 2011, while she was doing heroin with Peaches and Phlo. The two of them did heroin together and Phlo is still very much into that scene. They shared an apartment in Hollywood for a while and Phlo followed her back to London – they remained friends until Peaches’ untimely death in April 2014. “Peaches and Phlo met through a mutual friend in Los Angeles, 2010, when Peaches was living in the US. According to our source this all went down on Mothers Day, at the W Hotel. What to buy: The Poster Girl EP is released on 29 July by Night Beach.įile next to: SZA, Jhené Aiko, Kid A, Cassie.HSK was the first to report about celebrity hanger-on Phlo Finister in May 2012, at the time Phlo was connected to a Heroin overdose (not a deadly one) suffered by the daughter of the late singer Teena Marie, Alia Rose. The truth: Meet our new favourite R&B ghost-poetess. The buzz: "The best new thing to happen in R&B." How's she going to appear – as a hologram? She makes her live debut on 31 July at London's Sebright Arms. ![]() We'd call it tantalising, but that suggests this music could be fleshed out, improved upon, when really it's perfect as it is. Last Winter is a classic of dejected electronica where love is a subset of a broader feeling of estrangement. "Baby, just take a sip," she invites, sounding like an enervated Rihanna or a Beyoncé minus the sense of entitlement. By track two, Coca Cola Classic, we're hooked. The beats are heavy, the voice/production combo heady: we're sure we read her describe what she does on one website as "sex, drugs and dubstep". On Hotel Miami, a lead track from her forthcoming Poster Girl EP (spoiler alert: she didn't quit the biz after all), she offers to play a hooker just for one night in her lover's luxury suite – so consumed is she not by desire, but by a desperation not to be alone, even if the man in question isn't to be trusted. But more than anything we like to think of her as a breakaway character from an Abel Tesfaye song who gets her own show. She has recorded a cover of Nancy Sinatra's Bang Bang over Mobb Deep's Shook Ones Pt 2, a useful précis of her project. It's her work on a series of mixtapes with Andrew Dawson (the Weeknd Kanye West Tyler, the Creator), 4AD's A$AP Rocky collaborator Spaceghostpurrp, and Def Jam's Benny Cassette that defines her. "The sacrifice of being a star," she declared, "isn't worth my normalcy." Rather, she was leaving the music business to pursue other interests (photography and design), discouraged by the trends to "mimic. It wasn't that she was committing suicide – although you could have been forgiving for assuming as much from the letter. She nearly absented herself and disappeared from view last December when, in an "open letter" to her fans, she wrote that her "long road" was "coming to an end". This idea of Finister – the woman with the spectral coo – as little more than a ghost isn't just fancy. But Finister is effecting some kind of apotheosis with her exquisite blown beats, ethereal production, and a series of evanescent whispers that only vaguely fall under the rubric "singing": it's not full-bodied but empty, drained less a voice than a void. Cassie, of course, was moving in this direction a few years ago. In her hands, it stands for "ravished and blue". The background: Like SZA, Jhené Aiko and Kid A, Phlo Finister is remaking R&B, divesting it of its aerobic thrust and projected passion. ![]()
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